SCOTT FISH BOWL 16

The only other time I’ve gotten entry into Scott Fish Bowl was SFB 9 and… it’s the exact same scoring as 16. What a hilarious coincidence. I’ll be live drafting in Chicago from pick 11 in the Spyro division!

As you can see, the bonuses are absolutely insane. I’ll focus on a few things in terms of numbers, but what stands out the most is there are 10 starters and there are zero positional limits. You can start up to 8 RBs, WRs or TEs. No requirement whatsoever to start a QB either.

When I had pick 12 in #SFB9, I had just about the worst start to any draft a person can have. I was looking for a screenshot of my roster, but Twitter limits old tweets now so I have to request my account data — ridiculously stupid.

However, I went Deshaun Watson and Andrew Luck back-to-back with my first two picks. Luck retired just weeks before the season started, and Watson had a career 12 interceptions and threw for a mere 3,800 yards. He threw for 4,800+ the following season. I was a year too early.

As for #SFB16, my strategy will likely be entirely different. I’m going to focus on taking best player available and not double up at Quarterback with my first two picks. There is good value on the board if you simply stick to a tier-based approach which is exactly what I plan to do — until I take Bo Nix in the 3rd round and follow that up with Jaylen Waddle at the turn. Other than those two picks, anything is on the table.

From the sounds of other participants, it seems like Running Backs are providing the most value. Wide Receivers are the safer option with 20-yard reception bonuses compared to running backs having to get 40-yard rushes to earn the bonus. Tight Ends are where the league gets interesting and quite frankly where guys are getting over drafted in my opinion. Colston Loveland and Tyler Warren are going in the second round in ADP (average draft position) with Brock Bowers and Trey McBride going inside the top 10. I’ll be seeking value in the mid rounds based on this ADP. There is a great chance I end up with 2-3 of the guys in this range.

As far as the rest of the draft, I will literally just be playing it based on vibes. A few names I’m loosely targeting at their current ADP:

  • QB Matthew Stafford (ADP 56.4; QB14)

  • QB Bo Nix (ADP 59; QB15)

  • QB Kyler Murray (ADP 90.5; QB19)

  • QB Tyler Shough (ADP 91.6; QB20)

  • QB Cam Ward (ADP 118.7; QB23)

  • RB Jonathan Taylor (ADP 14; RB4)

  • RB James Cook (ADP 18.2; RB5)

  • RB Omarion Hampton (ADP 28.3; RB9)

  • RB Cam Skattebo (ADP 70.6; RB21)

  • RB Javonte Williams (ADP 63.9; RB18)

  • WR AJ Brown (ADP 23.1; WR8)

  • WR Jaylen Waddle (ADP 54.2; WR23)

  • WR Parker Washington (ADP 90.5; WR36)

  • WR Matthew Golden (ADP 130.3; WR51)

  • WR Malik Washington (ADP 189.6; WR74)

  • TE Harold Fannin (ADP 48.7; TE6)

  • TE Jake Ferguson (ADP 86.2; TE12)

  • TE Chig Okonkwo (ADP 127; TE21)

  • TE TJ Hockenson (ADP 134.7; TE23)

  • TE Gunnar Helm (ADP 156.1; TE26)

FOR THE GIRLS: TAYLOR KELCE

Taylor Swift and Travis Kelce just pulled off the most on‑brand modern fairytale wedding you could script, the kind of night that felt like both a debut and a victory lap at the same time. From the outside, it looked like pure spectacle, but inside Madison Square Garden it played like a carefully crafted setlist of every era of their relationship.

On July 3, 2026, The Garden stopped hosting NBA games and world tours and instead became their chapel for the night — a real “welcome to New York” moment for a couple that has basically lived in a permanent 1989 skyline backdrop for the last few years. The jumbotron flipped to a cheeky “JUST&T MARRIED” message, like the world’s biggest Red sign, and the marquee outside glowed so bright it could have doubled as Speak Now energy for the entire city.

Inside, it was a full‑on A‑list crowd: pop stars, NFL legends, actors, and the kind of people whose group chats probably look like Midnights lyrics come to life. It felt like one long Reputation flex, but in the soft, “I survived all that and still believe in love” way, not the scorched‑earth version. Adam Sandler officiated, keeping things just irreverent enough to remind everyone this wasn’t a royal coronation, more like a Lover era fever dream that accidentally rented out Madison Square Garden.

Family was at the center of the whole thing. Austin Swift stood by Taylor as her man of honor, a subtle callback to how long her inner circle has been there, through every Fearless risk and reinvention. Jason Kelce took his place as best man, the embodiment of Travis’s own grind from tight end prospect to three‑time Super Bowl champion, a real‑life Folklore story you’d swear was made up if it weren’t all on tape. When they lined up for photos, it looked like two whole franchises merging — one built on stadium anthems, the other on stadium third‑and‑long conversions.

What makes the wedding feel so surreal is how quickly it escalated from “Wait, is Taylor at a Chiefs game?” to “They shut down Madison Square Garden to get married.” Their story went public back in 2023, when Taylor started showing up in Kansas City, turning NFL Sundays into live‑action bonus tracks for the Eras Tour. It was like watching Evermore unfold in real time — the quiet, steady chapters underneath all the viral moments. By the time they announced their engagement in August 2025, the relationship had survived playoff runs, world tours, travel chaos, and the kind of scrutiny that would have turned a lesser couple into pure Speak Now (Taylor’s Version) material.

Around the wedding, they reportedly put serious money behind charitable donations, spreading help across New York and beyond like some very real‑world Red (Taylor’s Version) edits to the city’s story. It was the opposite of a vanity project; it felt like Fearless (Taylor’s Version) in action — taking something huge and public and quietly rewriting the impact on their own terms. For two people who live at the intersection of music charts and yardage charts, this was their way of making sure the night didn’t just exist as a viral clip but as something closer to cultural Evermore.

Stylistically, the whole event played like a live mash‑up of every era she’s ever owned: the storytelling of Folklore, the neon confidence of 1989 (Taylor’s Version), the romantic core of Lover, and the calculated, unbothered strength of Reputation (Taylor’s Version). It wasn’t a reboot, exactly — more like a new track on a greatest hits project, the kind you drop at Midnights when the world’s not ready, but you are. Even for someone who’s built a career out of turning heartbreak and healing into hooks, this night was less about closing chapters and more about writing the opening lines of the next one.

That being said, fuck the Kansas City Chiefs and Travis Kelce until he retires. I know you Swifties loved that up until that last sentence, but it’s always F the Chiefs until I’m off this Earth. If you know about this hit, you know ball.

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